¿De qué marca es?
Mercury Classics.
Tiempo de entrega estimada Domingo 5 de abril al Sábado 11 de abril.
Precio y formas de pago
4 partes mensuales sin intereses
4 pagos de
$ 80.694
/ mesAliados para comprar ahora y pagar después



CDs y Vinilo de la marca Mercury Classics
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Tiempo de entrega estimada Domingo 5 de abril al Sábado 11 de abril.

CDs y Vinilo de la marca Mercury Classics
¿De qué marca es?
Mercury Classics.
¿Cuánto pesa?
4,0 libras, aproximadamente 1,8 kg.
¿Cuáles son sus dimensiones?
12.44 x 12.4 x 0.2 pulgadas, aproximadamente 31.6 x 31.5 x 0.5 cm.
¿Qué calificación tiene?
4,5 de 5 con 269.
| Campo | Valor |
|---|---|
| SKU | B00TAEAAQQ |
Reseña del editor Coming off the success of his debut Mercury Classics album For Now I Am Winter, Olafur Arnalds sheds new, fresh light on the music of Chopin. Played by renowned DG pianist Alice Sara Ott and recorded by Olafur in his boundary-pushing ambient style with re-compositions for strings and piano, the Romantic composer's pieces are reimagined for a unique listening experience. Críticas Classical music has always been very much about performance and interpretation - about that moment, in concert, when the performer interprets the composer s music in his own way. Then recording technology came along, and in classical it was all about capturing the live performance in the most accurate way. But I believe that when music has been channeled through all the machinery and processes that are part of making a recording, it is no longer all about that moment. It can t be. The act of recording becomes a ghost performer in itself, reflecting on the result in a way that is often unaccounted for or ignored.While The Beatles dragged pop music along by starting to use the recording technology as a part of the composition and performance, classical music was left to still somehow aim for the impossible. And the idea of what is considered an accurate and true sound became an unbreakable norm in itself.This norm never made much sense to me. Why not use the technology we have as not only a tool, but a part of the actual interpretation? Why can t the microphones, the room - the sound - also be a performer? Why would all of these factors need to stay invisible behind the norm of a true recording sound? And why would a good classical piano sound naturally have to be the silvery, brilliant concert grand sound that we have on classical recordings today, while we know that the pianos of the 19th century sounded so very different?All these are norms that I was interested to test. Alice was the perfect partner in this project. Her recording of Chopin s Waltzes has been a true inspiration for me. We spent a week exploring different microphones, pianos and venues all over Reykjavik, trying to find the perfect constellation for each of her interpretations. And then I tried to put them in a new context with my own recompositions, based on themes from Chopin s pieces. I wanted to make a dynamic and modern album with the originals and recompositions melting together to create one arc, one coherent storyline.Chopin's music has a very special meaning for me. When I was younger I was playing drums in various metal bands and all I wanted to listen to was punk and heavy metal music. But whenever I visited my grandmother, which I did frequently, she would always make me listen to Chopin. If it had been my parents forcing classical music down my throat at that time of my life I probably would have puked on their face. But I guess out of respect for my grandmother I always listened with her and slowly it started to grow on me.My last moment with my grandmother was on her deathbed, she was just lying there, old and sick, but very happy and proud. And I sat with her and we listened to a Chopin sonata. Then I kissed her goodbye and left. She passed away a few hours later.At that point I was already studying classical composition and experimenting, releasing and touring with all kinds of classically inspired music. But Chopin always kept this special place in my heart and I wanted to express that by making his music the center of this project. By looking at his music in a different way, through the prism of recording technique in its different facets and through my own compositions, I didn't intend to question the integrity of Chopin's music. I wanted to find my very personal interpretation, like so many other great musicians have done before me. --Ólafur Arnalds - January 2015
Detalles del producto Dimensiones del producto : 12,44 x 12,4 x 0,2 pulgadas; 10,58 Onzas Fabricante : Mercury Classics Fecha de lanzamiento original : 2015 Producto en Tienda desde : Febrero 14, 2015 Etiqueta : Mercury Classics ASIN : B00TAEAAQQ Número de discos : 2 Clasificación en los más vendidos de Yaxa: nº103,752 en CDs y Vinilo (Ver el Top 100 en CDs y Vinilo) nº2,840 en Sinfonías de Musica Clásica Opiniones de clientes: 4.5 4.5 de 5 estrellas 280 calificaciones Dimensiones del producto : 12,44 x 12,4 x 0,2 pulgadas; 10,58 Onzas Fabricante : Mercury Classics Fecha de lanzamiento original : 2015 Producto en Tienda desde : Febrero 14, 2015 Etiqueta : Mercury Classics ASIN : B00TAEAAQQ Número de discos : 2
Calificación
4,5/5
Valoraciones
269