Istanbul Mehmet Cymbals Jazz Series cj-hh14mc Jazz Hi-Hat 14-Inch Cymbal

Precio y disponibilidad de Istanbul Mehmet Cymbals Jazz Series cj-hh14mc Jazz Hi-Hat 14-Inch Cymbal

$ 2.338.160,45

$ 2.750.777

0 % de interés sin costos adicionales en 3 cuotas de $ 779.387 , pagando con Addi. Obtén tu cupo

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Tiempo de entrega: Entrega internacional estimada de 9 a 12 dias habiles en Colombia.

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Designed to capture the sounds of unlathed Turk cymbals with a light weight jazz ride. This combination gives you a dark and dry sound, great stick definition with mellow overtones. The bell has a raw unlathed surface and the body has vintage and sparse lathing. We recommend MC Jazz series for todays players who play traditional jazz or are searching for a light weighted dark cymbal sound for any type of music. ABOUT ISTANBUL MEHMET - Mehmet Tamdeger learned his art from Mikhail Zilcan, the grandson of Kerope Zilcan, after whom the Zilcan K series is named. In the 1950s, he worked in the K. Zilcan factory in Istanbul. At the age of nine Mehmet Tamdeğer started to work for Mikhail Zilcan. Mikhail Zilcan and Kirkor Kucukyan taught him every aspect of this ancient Turkish art, based on a history that stems back to the early 17th century. The Istanbul brand name was adopted by a cymbal works established by two cymbal smiths, Mehmet Tamdeger and Agop Tomurcuk. At that time, they had over three decades of cymbal making experience. Mehmet and Agop named their company after the city that has been home to the epitome of high quality cymbals for many, many years: Istanbul. These cymbals were first exported to the U.S. in 1984, first under the name "Zildjiler", and soon afterwards as "Istanbul". Both craftsmen signed each cymbal and many of these cymbals are now collectors' items. After Agop Tomurcuk's unexpected death in July 1996, Mehmet decided to continue the production of cymbals under his own name, İstanbul Mehmet. A lot has changed since then, but his belief in the richness and the character of a handmade cymbal will always remain. Machines don't have ears. That's why we continue to make our cymbals according to the ancient tradition - with an open eye towards the music that's being made now, and in the future.

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