$221,777

James Bond Ultimate Edition – Vol. 2 (A View to a Kill Thunderball Die Another Day The Spy Who Loved Me Licence to Kill)

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Reseña del editor Disc 1: *Thunderball (1965) THE COMPLETE SPECIAL FEATURES LIBRARY: MISSION DOSSIER Audio Commentary Featuring Terence Young and Others Disc 2: **Thunderball Bonus Disc DECLASSIFIED: MI6 VAULT The Incredible World of James Bond – Original 1965 NBC Television Special A Child’s Guide to Blowing Up a Motor Car – 1965 Ford Promotional Film On Location With Ken Adam Bill Suitor: The Rocket Man Movies Thunderball Boat Show Reel Selling Bonds – Original 1965 Television Advertisements 007 MISSION CONTROL Interactive Guide Into the World of Thunderball Audio Commentary Featuring Peter Hunt, John Hopkins and Others The Making of Thunderball The Thunderball Phenomenon The Secret History of Thunderball MINISTRY OF PROPAGANDA Original Trailers, TV Spots, Photo Gallery & Radio Communications Disc 3: *Die Another Day (2002) THE COMPLETE SPECIAL FEATURES LIBRARY: MISSION DOSSIER Audio Commentary Featuring Director Lee Tamahori and Producer Michael G. Wilson & Pierce Brosnan Disc 4: **Die Another Day Bonus Disc DECLASSIFIED: MI6 VAULT From Script to Screen Shaken and Stirred on Ice Just Another Day The British Touch: Bond Arrives in London On Location With Peter Lamont 007 MISSION CONTROL Interactive Guide Into the World of Die Another Day Audio Commentary Featuring Pierce Brosnan and Rosamund Pike MI6 DataStream Additional DVD-ROM Features Available! Madonna ‘Die Another Day’ Music Video MINISTRY OF PROPAGANDA Photo gallery Disc 5: *The Spy Who Loved Me (1977) **The Spy Who Loved Me Bonus Disc Newly Recorded Audio Commentary Featuring Sir Roger Moore THE COMPLETE SPECIAL FEATURES LIBRARY: MISSION DOSSIER Audio Commentary Featuring Director Lewis Gilbert, Production Designer Ken Adam, Co-Writer Christopher Wood and Michael G Wilson Disc 6: DECLASSIFIED: MI6 VAULT 007 in Egypt Roger Moore: My Word Is My Bond On Location With Ken Adam 007 Stage Dedication Original 1977 Featurette Escape From Atlantis: Storyboard Sequence 007 MISSION CONTROL Interactive Guide Into the World of The Spy Who Loved Me Inside The Spy Who Loved Me Ken Adam: Designing Bond MINISTRY OF PROPAGANDA Original Trailers, TV Spots, Photo Gallery & Radio Communications Disc 7: *A View To A Kill (1985) **A View To A Kill Bonus Disc Newly Recorded Audio Commentary Featuring Sir Roger Moore THE COMPLETE SPECIAL FEATURES LIBRARY: MISSION DOSSIER Audio Commentary Featuring Director John Glen and Members of the Cast and Crew Disc 8: DECLASSIFIED: MI6 VAULT Film ’85 BBC Report Float Like A Butterfly Test Footage Deleted Scenes & Expanded Angles with Introductions by Director John Glen 007 MISSION CONTROL Interactive Guide Into the World of A View to a Kill Inside A View to a Kill The Music of James Bond Duran Duran ‘A View to a Kill’ Music Video MINISTRY OF PROPAGANDA Original Trailers, TV Spots & Photo Gallery Disc 9: *License To Kill (1989) THE COMPLETE SPECIAL FEATURES LIBRARY: MISSION DOSSIER Audio Commentary Featuring Director John Glen and Members of the Cast Audio Commentary Featuring Michael G Wilson and Members of the Crew Disc 10: **License To Kill Bonus Disc DECLASSIFIED: MI6 VAULT Deleted Scenes With Director John Glen Introductions Bond ’89 On the Set With John Glen On Location With Peter Lamont Ground Check With Corkey Fornof 007 MISSION CONTROL Interactive Guide Into the World of Licence to Kill Inside Licence to Kill Production Featurette «Behind the Scenes» Kenworth Trucks Featurette Gladys Knight ‘Licence to Kill’ Music Video Patti LaBelle ‘If You Asked Me To’ Music Video MINISTRY OF PROPAGANDA Original Trailers & Photo Gallery Contenido de la caja A View to a Kill: Roger Moore’s last outing as James Bond is evidence enough that it was time to pass the torch to another actor. Beset by crummy action (an out-of-control fire engine?) and featuring a fading Moore still trying to prop up his mannered idea of style, the film is largely interesting for Christopher Walken’s quirky performance as a sort-of supervillain who wants to take out California’s Silicon Valley. Grace Jones has a spookily interesting presence as a lethal associate of Walken’s (and who, in the best Bond tradition, has sex with 007 before trying to kill him later), and Patrick Macnee (Steed!) has a warm if brief bit. Even directed by John Glen, who brought some crackle to the Moore years in the Bond franchise, this is a very slight effort. — Tom Keogh Thunderball: James Bond’s fourth adventure takes him to the Bahamas, where a NATO warplane with a nuclear payload has disappeared into the sea. Bond (Sean Connery) travels from a tiny health spa (where he tangles with a mechanized masseuse run amuck) to the casinos of Nassau and soon picks up the trail of SPECTRE’s number-two man, Emilio Largo (Adolfo Celi), and his beautiful mistress, Domino (Claudine Auger), whom Bond soon seduces to his side. Equipped with more gadgets than ever, courtesy of the resourceful «Q» (Desmond Llewelyn), agent 007 escapes an ambush with a personal-size jet pack and takes to the water as he searches for the undersea plane, battles Largo’s pet sharks, and finally leads the battle against Largo’s scuba-equipped henchmen in a spectacular underwater climax. This thrilling Bond entry became Connery’s most successful outing in the series and was remade in 1983 as Never Say Never Again, with Connery returning to the role after a 12-year hiatus. Tom Jones belts out the bold theme song to another classic Maurice Binder title sequence. –Sean Axmaker Die Another Day: The 20th James Bond adventure, Die Another Day succeeds on three important fronts: it avoids comparison to Austin Powers by keeping its cheesy humor in check, allows Halle Berry to be sexy and worthy of a spinoff franchise, and keeps pace with the technical wizardry that modern action films demand. Pierce Brosnan’s got style and staying power as James Bond, now bearing little resemblance to Ian Fleming’s original British super-spy, but able to hold his own at the box office. He’s paired with American agent Jinx (Berry) in chasing a genetically altered North Korean villain (Rick Yune) armed with a satellite capable of destroying just about anything. John Cleese and Judi Dench reprise their recurring roles (as «Q» and «M,» respectively); they’re accompanied by weapons-laden sports cars, a hokey cameo by Madonna (who sings the techno-pulsed theme song), and enough double-entendres to keep Bond-philes adequately shaken and stirred. With clever nods to 007’s cinematic legacy, Die Another Day makes you welcome the familiar end-credits promise: James Bond will return. –Jeff Shannon The Spy Who Loved Me: The best of the James Bond adventures starring Roger Moore as tuxedoed Agent 007, this globe-trotting thriller introduced the steel-toothed Jaws (played by seven-foot-two-inch-tall actor Richard Kiel) as one of the most memorable and indestructible Bond villains. Jaws is so tenacious, in fact, that Moore looks genuinely frightened, and that adds to the abundant fun. This time Bond teams up with yet another lovely Russian agent (Barbara Bach) to track a pair of nuclear submarines that the nefarious Stromberg (Curt Jürgens) plans to use in his plot to start World War III. Featuring lavish sets designed by the great Ken Adam (Dr. Strangelove), The Spy Who Loved Me is a galaxy away from the suave Sean Connery exploits of the 1960s, but the film works perfectly as grandiose entertainment. From cavernous undersea lairs to the vast horizons of Egypt, this Bond thriller keeps its tongue firmly in cheek with a plot tailor-made for daredevil escapism. –Jeff Shannon License to Kill: Timothy Dalton’s second and last shot at playing James Bond isn’t nearly as much fun as his debut, two years earlier, in the 1987 The Living Daylights. This time Bond gets mad after a close friend (David Hedison) from the intelligence sector is assassinated on his wedding day, and 007 goes undercover to link the murder to an international drug cartel. Robert Davi makes an interesting adversary, but as with most of the Bond films in the ’70s, ’80s, and ’90s–and especially since the end of the cold war–one has to wonder why we should still care about these lesser villains and their unimaginative crimes. Still, Dalton did manage in his short time with the character to make 007 his own, which neither Roger Moore did nor Pierce Brosnan did. –Tom Keogh Beyond James Bond Ultimate Collection – Vol. 2 James Bond Ultimate Collection – Vol. 1 James Bond Ultimate Edition – Vol. 3 James Bond Ultimate Edition – Vol. 4 Stills from James Bond Ultimate Collection – Vol. 2 (click for larger image)
Peso
1.46 Libras
Dimensiones
7,75 x 5,5 x 2 pulgadas
La calificación que le dan a James Bond Ultimate Edition – Vol. 2 (A View to a Kill Thunderball Die Another Day The Spy Who Loved Me Licence to Kill), 200 usuarios es de 4.5 sobre 5 estrellas.

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Peso 1.50 lbs

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James Bond Ultimate Edition – Vol. 2 (A View to a Kill  Thunderball  Die Another Day  The Spy Who Loved Me  Licence to Kill)James Bond Ultimate Edition – Vol. 2 (A View to a Kill Thunderball Die Another Day The Spy Who Loved Me Licence to Kill)
$221,777

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