¿De qué marca es?
Blue Note Records.
Tiempo de entrega estimada Jueves 26 de marzo al Miércoles 1 de abril.
Precio y formas de pago
4 partes mensuales sin intereses
4 pagos de
$ 27.694
/ mesAliados para comprar ahora y pagar después



Jazz de la marca Blue Note Records
Compra segura
Protección total en tu pago y tu pedido.
Cuotas flexibles
Elige entre pago único o hasta 4 partes.
Envío verificado
Tiempo de entrega estimada Jueves 26 de marzo al Miércoles 1 de abril.

Jazz de la marca Blue Note Records
¿De qué marca es?
Blue Note Records.
¿Cuánto pesa?
3.32 Onzas.
¿Cuáles son sus dimensiones?
5 x 5.75 x 0.45 pulgadas, aproximadamente 12.7 x 14.6 x 1.1 cm.
¿Qué calificación tiene?
4,7 de 5 con 132.
| Campo | Valor |
|---|---|
| SKU | B00004YL5G |
Tienda The piano-playing singer Patricia Barber has quite a pearl of 12 standards on Nightclub with three stellar trios, including three tracks with Charlie Hunter's eight-string guitar. The incomparable bassist Marc Johnson also adds supple support on a few tunes and has a very tasty solo on "Yesterdays." And speaking of soloing, because Barber's vocal phrasing, rhythm, and timbre are so unique, it's easy to overlook her brilliant improvisations on piano. Despite their surface similarities, Barber seems worlds apart from Diana Krall in her presentation. Putting out an album of standards after the ultrahip Modern Cool challenges Barber with a different concept, rather than an attempt to capitalize on the tremendous success of other mainstream jazz vocalists (Krall included). In fact, if there's a problem here, it's that the sardonic wit displayed on Barber's previous releases is missing. On the other hand, it's mightily refreshing to report that a great American jazz singer who established herself on her own material has succeeded at an album of standard tunes. It's a chain of events that most vocalists can't claim. On Nightclub, Barber creates a dark, smoky atmosphere where, like any good impressionistic artist, she brings listeners into her world and lets them enjoy art from her side of the creative pane. Quite an accomplishment. --Mark A. Ruffin Críticas Being the daughter of Glenn Miller Orchestra-veteran-saxophonist Floyd "Shim" Barber, it's safe to say Patricia Barber was born with jazz in her blood. The sultry vocalist/pianist has released only six albums during a 20-year career, yet those albums chart an ever-growing critical and commercial acclaim. Barber's 1994 release Café Blue led to her winning the "Female Vocalist/Talent Deserving Wider Recognition" category in the 1995 Down Beat International Critics Poll. Her '98 album Modern Cool, like its successor, Companion, charted in the Billboard Top Ten. "Santa Claus Is Coming To Town," like Barber's latest album Nightclub, features the acclaimed rhythm section of bassist Marc Johnson and drummer Adam Nussbaum.--- JAZZIZ Magazine Copyright © 2000, Milor Entertainment, Inc. -- From Jazziz
Detalles del producto Descatalogado por el fabricante : No Dimensiones del producto : 5 x 5,75 x 0,45 pulgadas; 3,32 Onzas Fabricante : Blue Note Records Fecha de lanzamiento original : 2000 Código SPARS : DDD Producto en Tienda desde : diciembre 7, 2006 Etiqueta : Blue Note Records ASIN : B00004YL5G Número de discos : 1 Clasificación en los más vendidos de Yaxa: nº49,488 en CDs y Vinilo (Ver el Top 100 en CDs y Vinilo) nº445 en Posbebop Moderno nº555 en Jazz Vocal (CDs y Vinilo) nº593 en Bebop (CDs y Vinilo) Opiniones de clientes: 4.7 4.7 de 5 estrellas 132 calificaciones Descatalogado por el fabricante : No Dimensiones del producto : 5 x 5,75 x 0,45 pulgadas; 3,32 Onzas Fabricante : Blue Note Records Fecha de lanzamiento original : 2000 Código SPARS : DDD Producto en Tienda desde : diciembre 7, 2006 Etiqueta : Blue Note Records ASIN : B00004YL5G Número de discos : 1
Calificación
4,7/5
Valoraciones
132